Let me set the scene:

It’s loud. Loud enough that you can’t hear the clinking of ice cubes as they’re plunk plunk plunked into the glasses, bathing in the whiskey/vodka/vodka and cranberry.

And it’s crowded. Crowded enough to feel like your thoughts are being interrupted by another’s, the traffic of drunken/rushed/excited thoughts is as thick as the impenetrable queue at the bar.

There is chalk on the table. On every table. They must doodle with it during afternoon brunches, with the summer air and the corny flair of sundresses. They sit ignored now, the pieces of chalk, some are stepped upon, like discarded cigarette butts.


I see them. I see some things, not everything, some things that I bet you don’t.

I say some things, that you bet I should not.

And I listen. I listen to the tap tap of your foot, the squeak of the chalk against the wood, the words that float in and out of your head– unsaid and misunderstood.

I’m a girl. Just one girl. I don’t want to wind you up and bring you down and turn your head around. I’m not that song, the song with those words.

I’m your reflection. I make you smile and make you want to be good.

There are creases on the cuffs of your shirt and chalk dust on your fingers as I take them in my hand.

The noise goes away. The chalks, the voices, the plunk plunk plunk of ice cubes into the glasses, bathing in whiskey/vodka/vodka and cranberry.


I smile. Smile in a way, in a voice I know you hear:

‘You say chemistry, I say magic.
Let’s not allow semantics to destroy this moment.’