Hey

Hey

I know we haven’t seen each other in a while
But it’s not like I miss you

It’s just that I saw the stars tonight
And they whispered to me your secrets

Sticky secrets with flimsy limbs
Grasping at my hair and hands and happiness

Like chewing gum
Smacking against your teeth

Not that I miss you, but I just want to
Climb into your skin

Suckle on your bones
Like a starving infant

Until they’re dry and cracked to dreadful dust
Leaving your awkward, unworthy flesh behind

I’d gather it up, your flesh
Folded neatly like a linen shirt — skin smoothened to neat pleats

I’d hide it in my trunk
With our forgotten dreams and all the dead things we left behind

I’d keep it
Only for a while

Only for a day
Perhaps for a night

Then I’d toss it out the window
Like a carefree little vixen

Laughing and self-loathing
What a modern woman I’d be

Lonely and occupied and cautious and free
Sometimes melancholy, sometimes a little blue

But, hey
It’s not like I miss you

Bath

“Draw me a bath,” I said,
A cold, quiet reprieve,

A faucet spewing shame,
From my breasts right down to my feet,

Draw me a bath, as I draw you a picture,
An awkward sketch of my naked soul,

A portrait of such filth and decadence,
It is but a rotten, solitary monstrosity,

Draw me a bath, pray,
Draw another breath for me —

Another night of blue-veined slumber,
Another moment in purgatory.

[Featured image: Silvia Grav]

Fractured

Something broken,
collapsed,
and swallowed whole

into the earth that birthed my wayward pneuma;
the old thing —
cracked, jagged, and charcoal.

Thought and desire war, squirming under my skin;
weird, voluminous, wrong.
I feel incomplete, un-whole.

And then, she’s there – a sharp, devastating ache.
She’s  a tempest —
a sense of chaos, madness, the curling of toes.

Hot and uncomfortable as noon I lay here,
under this flimsy skin,
fostering hideousness and hope.

Hit by an edge of defiant anathema every now and then;
it rots with me —
shameful, ugly, vacant, and cold.

If her skin crawled up to me,
we’d collide —
hands, lips, hearts, and throats.

With heavy breaths and a quivering consciousness,
our senses fractured and dissovled,
we’d slip under the earth – soil and petrichor.


[Featured Image: Heitor Magno]

Hunger

Hush, now.
I’m trying to listen.

To the rhythm of my thoughts;
The sound they make as they shatter a placebic reality.

I want to swing hard and strike true brilliance,
Release a great grotesqurie of violent epiphanies from my chest.

I want to witness my desolation,
Mourn the monotony.

I’m only rotting flesh and decaying marrow,
My want morbid, yet monolithic and real.

Hunger makes me tremble;
It pierces the dead ache in my chest.

Hunger makes me reckless;
It makes me bleed.

Come, now. Look here;
At this bleeding, aching creature made of hunger, hedonism, and esoteric beliefs.

Take her, if you will.
Mould her into art — a spectacular tragedy.

[Featured image via: Silvia Grav]

A Ruminating Mind

There was a moment,
an unobtrusive speck in time,
when I created.

Weaving words from fleeting thoughts,
imagery from violent emotions,
and stories from careless whispers.

I spoke of a poignancy I never knew,
with a sense of cohesion I couldn’t begin to comprehend.
And still, I created.

A great countercurrent of fragmentary notions and quivering epiphanies,
wrenched from my heart and through my mouth by the simple want of a ruminating mind.
Simple, but essential.

No,
not essential.
Absolutely intrinsic.

A great drag of breath from the wooden gears of a clockwork mind.

It’s a sad affair, truly,
the disintegration of this kind.

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via Giphy

[Featured image: Silvia Grav]

Disappear

“What if I disappear?”
She asks,
Her voice a deteriorating whisper.

“I’ll come find you,”
I say easily,
Expecting a flippant laugh or a snort or even kisses sweet.

But she says nothing.

We lay there,
Vacant and immobile.

We don’t speak;
We unravel silently,
Decomposing, un-being.

White sheets cradle our bones,
As her white hands cradle my heart.

The truth is,
I fear.

She was a shadow of a person.
I filled her with love and life and grand ideas of the future,
But the cavity in her mind was a pitless abyss.

She could disappear now,
This very second,
And I would remain,
With not a single ort of her existence,
To ease my way.

So we lay there,
Still as corpses or trees.

Barefoot and cold,
In an unspoken reverie.

[Featured image: Silvia Grav]

Synaesthetic Release

With salt in her hair and sun in her pores,
she looks at me.

A cigarette rots on her lips —
clove or cardimom or something equally chichi.

It doesn’t matter either way,
her breath smells like defeat.

“It’s a beautiful day,” she says,
shifting in the car seat.

Yes, it’s a beautiful day,
but it’s an ugly city.

“Try not to kill us before we get there,”
smoke drifts into my lungs, greeting the tenebrosity.

I picture her insides splattered on the asphalt;
it both calms and distracts me.

I pull into the garage and we stumble out,
synchronized in movement, if not in thought, at least.

We enter a house that’s not quite yet a home,
and she sheds her clothes as I pluck and assemble my insecurities.

Within heartbeats,
we’re ready.

The room reeks of sweat and smoke and heat,
as I cram my grotesque past down her throat incessantly.

She suffers; I ache.
We both bleed.

We move in congruence —
like a well-oiled machine.

I bend her until she breaks,
oil leaking out of her eyes, nails, and being.

As our sweat turns stale and our brains to putty,
we lie there breathing, in a pool of our own debris.

[Featured image via: Silvia Grav]

Girl

I say it enough.
Out loud and in faint whispers.
Scrawled in ink on pieces of picayune paper.

I breathe the word.
Even in the callouses of my fingers and the stubble on my legs,
I channel the very pneuma of the notion as I understand it.

A girl, I say to myself,
Is a contradiction,
Drifting between the innocence she was and the woman she wants to be.

Brilliant, cautious, and fractured,
A magnificently fucked up creature.
A paradox, really.

Just like a hurricane.
Or a monument.
Or me.

Have I convinced you yet?
Good.
For I don’t think I can quite get myself to believe.

(This post is an afterthought. Read original post here.)

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[Feature image via: Silvia Grav]

Dirty

We both sweat
like weeping candles
lit and left forgotten for hours

Our flames burn high and bright
our pores sob
in the strange tongue of desire that our mouths are too busy to speak

“You’re so dirty,” he says
his breath hot and wet at the back of my neck
his palms rough and greedy at the curve of my hip

His words drift in the thick air around us
hovering
until they reach me

I hear his voice
it echoes in the movement of my blood
settles in my bones

I want to scream

I loved him with everything I knew and everything I didn’t
love leaked out of my pores
and onto the clothes I would soon shed for him.

Because I wanted him close
close enough to feel it cracking my bones and shattering the paradigm of my thoughts cataclysmically
the way it always did

But there he stood
embracing me
while he made love to a notion fed to him by an ecclesiastical spoon known for ladling deceit

Take me from behind
take me in the earth
WHY TAKE ME AT ALL
if I’m dirty?

I loved him with abandon
almost to a fault
so despite myself
I let him paint on me his filth
make me dirty

[Featured image via: Cesar Biojo]

Tea

Thunderstorms, he said,
should be endured at home,
with a cup of tea.

Perhaps a crisp chamomile,
or a cool mint,
or an arduous green.

He smoothed his tie,
the shade of passing autumn,
as he said this.

His breath heavy with decay,
the decay of marrow and being,
his words hot and hovering, like steam.

I brewed several,
teas strong and muddy and sweet,
poured into little cups of ivory.

When they cracked,
the tea would bleed,
like the spill of desperate words on a parchment.

The scent assailing, unforgiving, and penetrating,
mixing with his breath on my skin,
punishing me.

I watched the benign liquid shapes,
as they imploded against the window,
trying to reach their kin leaking slowly down my broken cheek.

Thunderstorms, he said,
should be endured at home,
with a cup of tea.